Awakenings - Hannah Laycock

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Artist's statement Awakenings — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and blue and red paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and blue, red and yellow paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and red and green paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A visceral photo of fresh pink flowers in a white bath filled with water for the 'Perceiving Identity project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Rocky River Findhorn running through a forest at Randolph's Leap, Scotland — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock's self-portrait in an oval mirror hanging on a turquoise wall-papered wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock double exposure self-portrait with fern leaves taken in Culbin forest, Scotland, wearing a cream, sleeveless top — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A rock pertruding up towards the sky on a green grassed cliff edge — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Bright green plant along bottom of image with dark, black river water streaming past with small amounts of froth — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Brightly lit bushes with sun-beam on rocks with river running through them — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A dried pink rose, with stem, lying on a small table with a blue and pink abstract table-cloth against a white wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Pink and yellow paint splash on a white bath that looks like blood — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Golden light reflects a window onto brown carpet that appears like a holy cross — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock is lying naked on a wooden floor against a tall portrait mirror against a white wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A portrait of Hannah Laycock with bare shoulders and blue voile fabric wrapped around her head — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A tall, portrait mirror leans against a red brick wall and sits on astro turf, reflecting the blue sky and white puffy clouds — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

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Artist's statement Awakenings — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and blue and red paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and blue, red and yellow paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and red and green paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A visceral photo of fresh pink flowers in a white bath filled with water for the 'Perceiving Identity project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Rocky River Findhorn running through a forest at Randolph's Leap, Scotland — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock's self-portrait in an oval mirror hanging on a turquoise wall-papered wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock double exposure self-portrait with fern leaves taken in Culbin forest, Scotland, wearing a cream, sleeveless top — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A rock pertruding up towards the sky on a green grassed cliff edge — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Bright green plant along bottom of image with dark, black river water streaming past with small amounts of froth — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Brightly lit bushes with sun-beam on rocks with river running through them — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A dried pink rose, with stem, lying on a small table with a blue and pink abstract table-cloth against a white wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Pink and yellow paint splash on a white bath that looks like blood — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Golden light reflects a window onto brown carpet that appears like a holy cross — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock is lying naked on a wooden floor against a tall portrait mirror against a white wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A portrait of Hannah Laycock with bare shoulders and blue voile fabric wrapped around her head — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A tall, portrait mirror leans against a red brick wall and sits on astro turf, reflecting the blue sky and white puffy clouds — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Projects
People
Scenes
Moving image
About
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Projects
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Moving image
About
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Artist's statement Awakenings — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and blue and red paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and blue, red and yellow paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock in a bath of water and red and green paint for the 'Perceiving Identity' project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A visceral photo of fresh pink flowers in a white bath filled with water for the 'Perceiving Identity project about multiple sclerosis — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Rocky River Findhorn running through a forest at Randolph's Leap, Scotland — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock's self-portrait in an oval mirror hanging on a turquoise wall-papered wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock double exposure self-portrait with fern leaves taken in Culbin forest, Scotland, wearing a cream, sleeveless top — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A rock pertruding up towards the sky on a green grassed cliff edge — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Bright green plant along bottom of image with dark, black river water streaming past with small amounts of froth — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Brightly lit bushes with sun-beam on rocks with river running through them — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A dried pink rose, with stem, lying on a small table with a blue and pink abstract table-cloth against a white wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Pink and yellow paint splash on a white bath that looks like blood — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Golden light reflects a window onto brown carpet that appears like a holy cross — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

Hannah Laycock is lying naked on a wooden floor against a tall portrait mirror against a white wall — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A portrait of Hannah Laycock with bare shoulders and blue voile fabric wrapped around her head — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

A tall, portrait mirror leans against a red brick wall and sits on astro turf, reflecting the blue sky and white puffy clouds — ‘Awakenings’ explores Hannah Laycock’s feelings of uncertainty, fear, loss and liberation, intuitively delving into and questioning the notion of neurological ‘lack’.

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